Set in Haryana, Glory is described as 'high-stakes whodunnit' rooted in the boxing world.
This Mummy is all sound and fury, signifying nothing, discovers Mayur Sanap.
Toaster is neither a laugh-out-loud comedy nor the kind of satire you would expect from a premise like this, notes Mayur Sanap.
'The people who are outraging, they don't have any substantial argument. They are enraging over manufactured memes and manufactured figures.'
Dacoit: Ek Prem Katha keeps promising something exciting, emotional, thrilling, only to rob us off of that experience of masala entertainer it teases, sighs Mayur Sanap.
Even with its flaws, Toh, Ti Ani Fuji stays with you because of how real it feels, notes Mayur Sanap.
'When life throws a Hamza at you, make it Dhurandhar's Hamza, not Darlings' Hamza!'
'I have returned to work with Priyan Sir after 14 years. Aisa laga vanvaas khatam hone ke baad phir se mauka mila hain.'
In Dacoit: Ek Prem Katha, Mrunal Thakur is Saraswati and Adivi Sesh is Hari, but their story is far from simple.
Hey Kai Navin? begins to falter, because the show leans too heavily into saccharine sentimentality, often choosing non-fussy conflicts over narrative depth, notes Mayur Sanap.
Ramayana, which is being mounted as a two-part cinematic event, will soar. The music, visuals, technical finesse and the promise of strong performances not just tease a film, it teases a grand experience, notes Mayur Sanap.
Riteish Deshmukh brings earnestness to the role, but the gravitas of Chhatrapati Shivaji Maharaj calls for a towering presence, resonant voice and sharp, piercing gaze, which are somewhat missing in Raja Shivaji, notes Mayur Sanap.
They Will Kill You is the kind of film that works perfectly fine for a casual watch, especially if you are fan of slasher genre, observes Mayur Sanap.
Like the best crowd-pleasers, Project Hail Mary makes you laugh, it makes you weep a little, it keeps you riveted and then leaves you with a big smile by the end, notes Mayur Sanap.
Despite all the bumps along the way, the finale of Dhurandhar The Revenge lands perfectly, giving the protagonist and the story a sense of closure. In the current landscape of stretching the narrative for blockbuster appeal, Aditya Dhar wisely opts for a proper ending. And that deserves respect, applauds Mayur Sanap.
Backstage is Hitesh Harisinghani/Rediff's favourite playground where he captures beautiful pictures of people who work in sync to present the perfect fashion show.
Aditi Rao Hydari returned to the runway to present her first collection for Satya Paul at Lakme Fashion Week x FDCI.
Mayur Sanap discovers a memorable chicken preparation in the Philippines.
Lakme model Tejal Patil gives Rediff's Hitesh Harisinghani a sneak peek into her backstage essentials bag.
The nation's latest crush and Lakme's GenZ face Aneet Padda decided to go Out of Office'.
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